![]() Two years later he was commissioned to design a lunette fresco for the Museum on the subject of The Industrial Arts in the Time of Peace. In 1869 Pickersgill was commissioned to produce a large overdoor painting for the National Competition Gallery in the South Kensington Museum, showing the distribution of art prizes (Valentine Prinsep was commissioned to paint its pair). He became Keeper of the Royal Academy Schools in 1873, a post he held until 1887. He was elected ARA in 1847 (at a young age), becoming a full Academician in 1850. He won prizes in the Westminster Hall competitions 18. His subjects were mythological, biblical and literary. He exhibited 50 works at the RA between 18. In this portrait Mantegna holds a fragmentary classical relief sculpture, a reference to his abiding interest in antiquity.Ī specialist in historical genre painting, Frederick Richard Pickersgill (1820-1900) entered the Royal Academy Schools in 1839. Mantegna's religious scenes and classical compositions were engraved, allowing his work to become known throughout Europe. Among his late works are nine large canvases of the Triumph of Caesar (1486-94 Hampton Court). His illusion of a dome opening to the sky was widely imitated in the Baroque period. For the Gonzaga he painted his famous frescoes in the Camera degli Sposi of the Gonzaga palace, Mantua. As well as large-scale paintings, he also produced banners, tableware and decorations. ![]() Mantegna was appointed court painter to the Gonzaga, and was employed by three generations of the family. He was a rigorous draughtsman and anatomist. A passion for the antique is evident in all his work, and he was one of the first artists to collect Greek and Roman works. Historical significance: Andrea Mantegna (1430/31-1506) was an Italian painter and printmaker. Commissioned for the decoration of the South Court of the South Kensington Museum
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